FACULTY OF COMMUNICATION

Department of New Media and Communication

NMC 456 | Course Introduction and Application Information

Course Name
Visual Theory
Code
Semester
Theory
(hour/week)
Application/Lab
(hour/week)
Local Credits
ECTS
NMC 456
Fall/Spring
3
0
3
5

Prerequisites
None
Course Language
English
Course Type
Elective
Course Level
First Cycle
Mode of Delivery -
Teaching Methods and Techniques of the Course Discussion
Group Work
Q&A
Critical feedback
Jury
Lecture / Presentation
Course Coordinator -
Course Lecturer(s)
Assistant(s) -
Course Objectives This course is an introduction to theoretical debates in the interdisciplinary field of visual culture. The course engages with the production, reception, appropriation and commodification of images and the ideologies of the visual. The contemporary world is saturated with visual images. This introductory course explores the visual from an interdisciplinary perspective across cultures and in various media. Its objective is to sharpen the gaze of the student by learning to look carefully at the visual world in the past, present, in remote as well as approximate places. Through this course we will define visual theory, communication, explore it’s history and gain insight understanding of visual advertising.
Learning Outcomes The students who succeeded in this course;
  • Will be able to demonstrate an understanding of key concepts in visual culture.
  • explain theoretical approaches to visual perception; the various attributes and social meanings of the four visual cues.
  • identify and use basic graphic elements helps in the analysis and production of images.
  • demonstrate an understanding of how theoretical debates in visual culture interrogate the gaze across different fields of visuality across local, national and the transnational visual landscapes.
  • demonstrate an understanding of various components and uses for gestalt, constructivism, semiotics and cognitive theories of visual communication.
  • demonstrate an understanding of the discourses regarding questions of visual culture such as representation; advertisement, art.
  • explain some of the historical influences including are movements upon today’s graphic designs.
Course Description This course combines theoretical work and its application to images. Students are responsible for the preparation of presentations of each week’s key reading. Each week, we will summarise key points and arguments made by a visual theory scholar on a particular topic (see syllabus) and use examples that relate closely to the text.

 



Course Category

Core Courses
Major Area Courses
Supportive Courses
X
Media and Management Skills Courses
Transferable Skill Courses

 

WEEKLY SUBJECTS AND RELATED PREPARATION STUDIES

Week Subjects Related Preparation
1 Brief of the Lecture, Introduction to Visual Theory
2 Identifying Semiotics with Saussureian Structuralism F. Saussure, “Course in General Linguistics” Part 1, 65-79
3 Encoding - Decoding Garret Castleberry, “Understanding Stuart Hall’s Encoding/Decoding Model through TV’s Breaking Bad”
4 Understanding Media and Advertising M. McLuhan, “Understanding Media The Extensions of Man” R. Williams “Advertising: The Magic System”
5 How Do We Interpret the World of Symbols Denotative & Connotative Readings Roland Barthes, “The Elements of Semiology”; “The Fashion System”; “Rhetoric of the Image”
6 Introduction to Marxist Media Theory Daniel Chandler, “Marxist Media Theory”
7 Frankfurt School Approach to Media & Cultural Industry T. Adorno, M. Horkheimer, “The Culture Industry, Enlightenment as Mass Deception”
8 Midterm Exam
9 Postmodern Theories Under the Circumstances of Postfordism Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” Fredric Jameson, “Postmodernism or the Cultural Logic of the Late Capitalism”
10 Simulation and Hyper-reality Theory J. Baudrillard, “Simulacra and Simulation”
11 Postfeminist Media Culture, The Deconstruction of Woman Image Through Advertising Rosalind Gill, “Postfeminist Media Culture, Elements of Sensibility” Judith Butler, “Subjects of Sex/Gender/Desire”
12 Psychoanalysis of Advertising Throughout Marketing Hedonics and Desire S. Freud, “Civilization and It’s Discontents”, F. Forest, “Psychoanalysis of Advertising”
13 Documentary: The Pervert’s Guide to Ideology Slavoj Zizek
14 Advertising Discourse, Analyzing Ad Examples M. Holbrook; E. Hirshcman, “The Semiotics of Consumption” Ch.2, 61-147 Guy Cook, “The Discourse of Advertising”
15 Review of the Semester
16 Final Exam

 

Course Notes/Textbooks

Course in General Linguistics, Ferdinand Saussure, ISBN: 978-0-231-15727-8

 

Understanding media: the extensions of man, Marshall McLuhan, ISBN: 0-415-25397-7

 

The Fashion System, Roland Barthes, ISBN: 0-520-07177-8

 

Postmodernism or the Cultural Logic of the Late Capitalism, Frederick Jameson, ISBN: 978-0-86091-537-9

 

Simulacra and Simulation, Jean Baudrillard, ISBN: 0-472-06521-1

 

 

 

Suggested Readings/Materials

Yapısalcılık, Tahsin Yücel, 4. Baskı ISBN: 978-975-07-2573-9

 

Göstergeler, Tahsin Yücel, 3. Baskı ISBN: 978-975-07-0609-7

 

Dilbilimin Temel Kavram ve İlkeleri, Berke Vardar

 

Poster, M. (2010). McLuhan and the cultural theory of media. MediaTropes, 2(2), 1-18.

 

Feminine Look: sexuation, spectatorship, subversion, Jeniffer Friedlander, ISBN: 978-0-7914-7296-5

 

The aesthetic unconscious, Jacques Ranciere, ISBN: 978-0-7456-4644-2

 

 

 

EVALUATION SYSTEM

Semester Activities Number Weigthing
Participation
1
20
Laboratory / Application
Field Work
Quizzes / Studio Critiques
1
10
Portfolio
Homework / Assignments
Presentation / Jury
-
-
Project
-
-
Seminar / Workshop
Oral Exams
Midterm
1
30
Final Exam
1
40
Total

Weighting of Semester Activities on the Final Grade
3
60
Weighting of End-of-Semester Activities on the Final Grade
1
40
Total

ECTS / WORKLOAD TABLE

Semester Activities Number Duration (Hours) Workload
Theoretical Course Hours
(Including exam week: 16 x total hours)
16
3
48
Laboratory / Application Hours
(Including exam week: '.16.' x total hours)
16
0
Study Hours Out of Class
14
2
28
Field Work
0
Quizzes / Studio Critiques
1
18
18
Portfolio
0
Homework / Assignments
0
Presentation / Jury
-
-
0
Project
-
-
0
Seminar / Workshop
0
Oral Exam
0
Midterms
1
24
24
Final Exam
1
32
32
    Total
150

 

COURSE LEARNING OUTCOMES AND PROGRAM QUALIFICATIONS RELATIONSHIP

#
Program Competencies/Outcomes
* Contribution Level
1
2
3
4
5
1

To be able to critically discuss and interpret the theories, concepts and ideas that form the basis of the discipline of new media and communication.

2

To be able to critically interpret theoretical debates concerning the relations between the forms, agents, and factors that play a role in the field of new media and communication.

3

To have the fundamental knowledge and ability to use the technical equipment and software programs required by the new media production processes.

4

To be able to gather, scrutinize and scientifically investigate data in the processes of production and distribution.

5

To be able to use the acquired theoretical knowledge in practice.

6

To be able to take responsibility both individually and as a member of a group to develop solutions to problems encountered in the field of new media and communication.

7

To be informed about national, regional, and global issues and problems; to be able to generate problem-solving methods depending on the quality of evidence and research, and to acquire the ability to report the conclusions of those methods to the public.

8

To be able to critically discuss and draw on theories, concepts and ideas that form the basis of other disciplines complementing the field of new media and communication studies.

X
9

To be able to develop and use knowledge and skills towards personal and social goals in a lifelong process.

X
10

To be able to apply social, scientific and professional ethical values in the field of new media and communication.

11

To be able to collect datain the areas of new media and communication and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1).

12

To be able to speak a second foreign language at a medium level of fluency efficiently.

13

To be able to relate the knowledge accumulated throughout the human history to their field of expertise.

X

*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest

 


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